#
# Bristol mild crosstalk gearbox
#
# This file defines the diverse tonewheel generator parameters for the bristol
# preacher algorithm. There are definitions per wheel that define its gain and
# waveform, the gain levels for each of the slider busses, frequency, phase and
# crosstalk levels betweem all the compartments. The tone gain can be
# seen to equalise the whole keyboard and the bus gains to equalise ane given
# note. There are also settings per slide bar bus for linearity.
#
# The selection between bright and normal is from the GUI "bright" button.
#
# Wheel damping is also known as 'volume stealing', 'volume robbing', etc, it
# defines how much signal loss occurs if the same tonewheel is tapped twice
# for any chord combination. The Hammond did not drive all the possible note
# combinations linearly, so using the same wheel twice did not necessarily
# double the volume, it would tailer off slightly. The GUI controls the overall
# amount of damping, this controls the mapping of the damping over the keyboard.
#
# There are 91 wheels [0..90], 9 slider busses [0..9], the ordering is not
# relevant and any undefined entries are interpolated between the nearest
# defined boundaries. Upper and lower extremes are leveled to the nearest
# defined value when not explicitly specified.
#
# There are the following options:
#
# ToneNormal: <wheel> <waveform> - tonewheel waveform normal
# ToneBright: <wheel> <waveform> - tonewheel waveform bright
#
# EQNormal: <wheel> <gain> - relative gain for that wheel in normal setting
# EQBright: <wheel> <gain> - relative gain for that wheel in bright setting
#
# DampNormal: <wheel> <gain> - relative damping of wheel, normal setting
# DampBright: <wheel> <gain> - relative damping of wheel, bright setting
#
# BusNormal: <bus> <gain> - relative gain of slider busses, normal setting
# BusBright: <bus> <gain> - relative gain of slider busses, bright setting
#
# Use whatver values you want however anything <= 0 is ignored.
#
# Waveforms are as follows:
#
# 1.0 - sinewave.
# > 1 - tends towards ramp wave (5.0 has a quite sharp leading edge)
# < 1 - tends towards square (0.0 is a rather sharp edged square wave)
#
# The defaults amplify the bass and treble frequencies, using a slight square
# wave for the low frequencies moving up to ramps for the high end.
#
# This file is reread when the compress option is selected from the GUI
# although this button does not actually affect the sound quality of the
# preacher (it does affect the sound when the preacher is not selected).
# Reloads are quite an intensive operation since all 91 wheel waveforms are
# recalculated. Avoid them whilst actively playing, but you can adust the
# values without having to restart the engine and test the net results, plus
# changing the 'bright' button setting will have no impact on performance
# since the differences are precalculated.
#
# Tonewheel waveforms, lower end are flatter to be a little hollow. This may
# be incorrect since using a bright, higher frequency response would typically
# result in the lower frequency waves having a richer content. The ranges
# should be fixed such that the waveforms for the tooths are common by number
# of teeth - there were 12 of each: 2, 4, 8, 16, 32, 64, 128 plus 6 of 192
# The output waveforms for each of these ranges should be comparable.
#
ToneNormal: 0 0.9
ToneNormal: 11 0.9
ToneNormal: 12 0.95
ToneNormal: 23 0.95
ToneNormal: 24 1.0
ToneNormal: 35 1.0
ToneNormal: 36 1.0
ToneNormal: 47 1.0
ToneNormal: 48 1.0
ToneNormal: 59 1.0
ToneNormal: 60 1.0
ToneNormal: 71 1.0
ToneNormal: 72 1.0
ToneNormal: 83 1.0
ToneNormal: 84 1.0
ToneNormal: 96 1.0
#
# ToneNormal: 0 0.60
# ToneNormal: 32 0.80
# ToneNormal: 40 0.90
# ToneNormal: 50 1.0
# ToneNormal: 65 1.0
# ToneNormal: 70 1.05
# ToneNormal: 75 1.1
# Equalisation "Normal" - tonewheels and busses. This is a rough estimate of
# the mV output signals taken from a B3 and it should match up to the tapering
# resistor values to normalise the signals later.
EQNormal: 0 4.0
EQNormal: 11 2.5
EQNormal: 12 2.0
EQNormal: 23 1.5
EQNormal: 24 1.0
EQNormal: 35 1.0
EQNormal: 36 0.8
EQNormal: 47 0.9
EQNormal: 48 1.0
EQNormal: 59 1.3
EQNormal: 60 1.4
EQNormal: 71 1.4
EQNormal: 72 1.5
EQNormal: 82 3.0
EQNormal: 90 2.5
# Bus normal EQ
BusNormal: 0 1.2
BusNormal: 5 1.0
BusNormal: 8 1.0
# Wheel damping 'normal' - some loss of signal at lower frequencies
DampNormal: 0 0.9
DampNormal: 90 1.0
# Tonewheel bright waveforms: square at low end, small distortion upper
ToneBright: 0 0.50
ToneBright: 11 0.50
ToneBright: 12 0.65
ToneBright: 23 0.65
ToneBright: 24 0.80
ToneBright: 35 0.80
ToneBright: 36 0.90
ToneBright: 47 0.90
ToneBright: 48 1.0
ToneBright: 59 1.0
ToneBright: 60 1.0
ToneBright: 71 1.0
ToneBright: 72 0.95
ToneBright: 83 0.95
ToneBright: 84 0.9
ToneBright: 96 0.9
# "Bright" equalisation
EQBright: 0 4.0
EQBright: 11 2.5
EQBright: 12 2.0
EQBright: 23 1.5
EQBright: 24 1.0
EQBright: 35 1.0
EQBright: 36 0.8
EQBright: 47 0.9
EQBright: 48 1.0
EQBright: 59 1.3
EQBright: 60 2.4
EQBright: 71 2.4
EQBright: 72 2.5
EQBright: 83 2.5
EQBright: 85 3.5
EQBright: 90 3.5
# Bus Bright EQ - this is where most of the 'brightness' comes from now.
BusBright: 0 1.0
BusBright: 4 0.6
BusBright: 8 1.5
# Wheel damping 'bright' - more loss of signal at lower frequencies
DampBright: 0 0.85
DampBright: 90 1.0
#
# These are the gains of each stop on the sliders. These values result in
# a linear interpolation but you can change that if you want to have things
# like exponential gains, uneven gains.
#
# These value add a small amount to the 'stopped' bus to emulate the bus
# leakage (in a rather crude fashion).
#
stops: 0 0.0001
stops: 8 1.0
#
# Wheels are defined as
#
# wheel: <nr> <freq> <phase>
#
# These can redefine the Hammond 'almost' Even Tempered frequencies and the
# wheel phases. The default frequencies are the slightly off hammond notes,
# here we are going to add additional flatness on the 192-toothed wheels.
#
# Default phase is to init totally randomly, this is pretty much how the
# Hammond operated - the teeth were located by spring friction only and could
# wander with transport as the wheel could 'walk' under vibration. Phase should
# not affect the sound, but actually it does. If you don't like the random
# change between invocations then they can be fixed here. Either way, you do
# not want to go for all the wheels to be totally in phase, that would be very
# electronic - if you want to emulate the L or M series this could be useful.
#
# Entering a negative value or the hyphen ('-') will leave the default value.
# Entering zero instead of - should give you a clean leading phase.
#
# This is the default initial gearbox generated automatically by the engine,
# you can redefine it here:
#
#wheel: 0 41.193748 -
#wheel: 1 43.636250 -
#wheel: 2 46.250000 -
#wheel: 3 49.000000 -
#wheel: 4 51.892502 -
#wheel: 5 55.000000 -
#wheel: 6 58.259998 -
#wheel: 7 61.715000 -
#wheel: 8 65.385002 -
#wheel: 9 69.267502 -
#wheel: 10 73.425003 -
#wheel: 11 77.777496 -
#wheel: 12 82.387497 -
#wheel: 13 87.272499 -
#wheel: 14 92.500000 -
#wheel: 15 98.000000 -
#wheel: 16 103.785004 -
#wheel: 17 110.000000 -
#wheel: 18 116.519997 -
#wheel: 19 123.430000 -
#wheel: 20 130.770004 -
#wheel: 21 138.535004 -
#wheel: 22 146.850006 -
#wheel: 23 155.554993 -
#wheel: 24 164.774994 -
#wheel: 25 174.544998 -
#wheel: 26 185.000000 -
#wheel: 27 196.000000 -
#wheel: 28 207.570007 -
#wheel: 29 220.000000 -
#wheel: 30 233.039993 -
#wheel: 31 246.860001 -
#wheel: 32 261.540009 -
#wheel: 33 277.070007 -
#wheel: 34 293.700012 -
#wheel: 35 311.109985 -
#wheel: 36 329.549988 -
#wheel: 37 349.089996 -
#wheel: 38 370.000000 -
#wheel: 39 392.000000 -
#wheel: 40 415.140015 -
#wheel: 41 440.000000 -
#wheel: 42 466.079987 -
#wheel: 43 493.720001 -
#wheel: 44 523.080017 -
#wheel: 45 554.140015 -
#wheel: 46 587.400024 -
#wheel: 47 622.219971 -
#wheel: 48 659.099976 -
#wheel: 49 698.179993 -
#wheel: 50 740.000000 -
#wheel: 51 784.000000 -
#wheel: 52 830.280029 -
#wheel: 53 880.000000 -
#wheel: 54 932.159973 -
#wheel: 55 987.440002 -
#wheel: 56 1046.160034 -
#wheel: 57 1108.280029 -
#wheel: 58 1174.800049 -
#wheel: 59 1244.439941 -
#wheel: 60 1318.199951 -
#wheel: 61 1396.359985 -
#wheel: 62 1480.000000 -
#wheel: 63 1568.000000 -
#wheel: 64 1660.560059 -
#wheel: 65 1760.000000 -
#wheel: 66 1864.319946 -
#wheel: 67 1974.880005 -
#wheel: 68 2092.320068 -
#wheel: 69 2216.560059 -
#wheel: 70 2349.600098 -
#wheel: 71 2488.879883 -
#wheel: 72 2636.399902 -
#wheel: 73 2792.719971 -
#wheel: 74 2960.000000 -
#wheel: 75 3136.000000 -
#wheel: 76 3321.120117 -
#wheel: 77 3520.000000 -
#wheel: 78 3728.639893 -
#wheel: 79 3949.760010 -
#wheel: 80 4184.640137 -
#wheel: 81 4433.120117 -
#wheel: 82 4699.200195 -
#wheel: 83 4977.759766 -
#wheel: 84 5272.799805 -
#wheel: 85 5585.439941 -
#wheel: 86 5920.000000 -
#wheel: 87 6272.000000 -
#wheel: 88 6642.240234 -
#wheel: 89 7040.000000 -
#wheel: 90 7457.279785 -
#
# This are for the 192 teethed wheels which are additionally a few cents out:
#
wheel: 84 5250.799805 -
wheel: 85 5555.439941 -
wheel: 86 5900.000000 -
wheel: 87 6232.000000 -
wheel: 88 6600.240234 -
wheel: 89 7010.000000 - A - flatten by about 0.3 cents. The rest are flat
wheel: 90 7400.279785 - and are now just a bit flatter. No phase changes.
#
# Level of crosstalk from the 3 other wheels in the same compartment. The
# defaults should be according to the normal 60Hz tonewheel box including
# crosstalk for the 2/4 and 8/32 wheels.
#
# These are not dB values but linear gain from 0 to 1.0 and if anybody wants
# dB signal loss values then they either need to calculate them or get in
# touch with me to encode it that way.
#
# The first two values govern the crosstalk between the two near wheels, and
# the second two from the two far wheels. Crosstalk to the first wheel in a
# compartment is typically lower due to the effects of the shaping filter
# applied to low frequency wheels.
#
# The 4th entry is for the drawbar bus crosstalk.
#
# Entries 5 through 8 are filter and loom crosstalk.
#
crosstalkNormal: 0 0.0001
crosstalkNormal: 1 0.0002
crosstalkNormal: 2 0.0001
crosstalkNormal: 3 0.0002
crosstalkNormal: 4 0.0001
crosstalkNormal: 5 0.002
crosstalkNormal: 6 0.0005
crosstalkNormal: 7 0.003
crosstalkNormal: 8 0.001
crosstalkBright: 0 0.001
crosstalkBright: 1 0.002
crosstalkBright: 2 0.001
crosstalkBright: 3 0.002
crosstalkBright: 4 0.001
crosstalkBright: 5 0.002
crosstalkBright: 6 0.005
crosstalkBright: 7 0.003
crosstalkBright: 8 0.001
#
# And the compartment table. These are the note numbers (Hammond counted from
# 1, but as we all know that does not work well for computers) in each of
# the 24 compartments. Each compartment had a pair of tonewheels at each side
# and there was more crosstalk between these two than the far two at the other
# side of the compartment due to distance. Note that these are not the same as
# the MIDI note numbers from KeyOn events, but internal 'tooth' indeces.
#
# These chamber definitions should be correct but if you see any discrepencies
# let me know. Each tonewheel was in a compartment with 3 other octaves of the
# same note and there were two compartments for any given key covering either
# seven or eight octaves. Some notes had empty top frequency tonewheels since
# the then engineering could not put enough teeth on the wheel, these were
# dealt with using foldback from lower frequencies (and the lowest octave also
# had foldback from one octave above for slightly different related reasons).
#
# Crosstalk '0' is used between the first pair and the last pair - they are the
# adjacent wheels. The other two crosstalk are for the opposite pair and could
# really have been consolidated into a single value.
#
# Crosstalk level-3 is used for bus crosstalk of the drawbars.
#
# For example, from the first line:
#
# Wheel 0 has crosstalk from 48 at level0, plus 12 at level1 and 60 at level2.
# Wheel 48 has crosstalk from 0 at level0, plus 60 at level1 and 12 at level2.
# Wheel 12 has crosstalk from 60 at level0, plus 0 at level1 and 48 at level2.
# Wheel 60 has crosstalk from 12 at level0, plus 48 at level1 and 0 at level2.
#
# These lines can be extended to include the crosstalk levels if you want to
# redefine them per wheel.
#
#compartment: 0 0 48 12 60 0.01 0.03 0.01 0.02
compartment: 0 0 48 12 60
compartment: 1 24 72 37 -
compartment: 2 7 55 19 67
compartment: 3 31 79 43 86
compartment: 4 2 50 14 62
compartment: 5 26 74 38 -
compartment: 6 9 57 21 69
compartment: 7 33 81 45 88
compartment: 8 4 52 16 64
compartment: 9 28 76 40 -
compartment: 10 11 59 23 71
compartment: 11 35 83 47 90
compartment: 12 6 54 18 66
compartment: 13 30 78 42 85
compartment: 14 1 49 13 61
compartment: 15 25 73 37 -
compartment: 16 8 56 20 68
compartment: 17 32 80 44 54
compartment: 18 3 51 15 63
compartment: 19 27 75 13 -
compartment: 20 10 58 22 70
compartment: 21 34 82 46 89
compartment: 22 5 53 17 65
compartment: 23 29 77 41 84
#
# Adjacency table. Each wheel, apart from being in a shared compartment which
# created crosstalk was also on a filter board with different notes in its
# vicinity and in a wire loom with various adjacent cables. There are another
# four entries in the crosstalk table for these values, the default given
# here are for the filter adjacency, but the fact is these can be redefined for
# arbitrary wheel numbers if you want to create a loom. Again, the crosstalk
# values are optional and override the defaults.
#
# The default adjacency table is actually taken from the above compartment table
# as the filter circuits were mounted on the outside, hence, wheel 30 in
# compartment 13 had 4 main neighbors, these being 6, 1 and 49 and 54. The
# crosstalk between these will follow the default values unless otherwise
# defined. The adjacency for wheel zero is given as reference as it only has
# two adjacent filters.
#
adjacency: 30 1 6 49 54 0.6 0.5 0.3 0.3
adjacency: 0 24 72 - - 0.6 0.5
#
# Drawbar equalisation.
#
# The tapering table controls the wheel gains by drawbar. It works after the
# wheel EQ given above and actually gives a different mix by drawbar by key.
# Again, this should follow the actual tapering schematics although the values
# used may need to be different as these translate again into linear gains.
#
# If these look wrong let me know, they were taken from the schematics of one
# Hammond model. You can emulate broken stops by giving that stop value a very
# large impedence - 1000, 2000, etc.
#
# The original circuit was a resistive divider with the output signal over
# a 24 Ohms impedence. The values that are entered here are the net signal
# gain/loss or a resistor index. The index makes it easier to change the
# settings globally without needing a degree in 'vi'. The reason both formats
# are accepted is that one is easier to define, the other is more flexible
# and will allow resistor tolerances to be built in to be less mechanical.
#
# taper: note <16'> <5 1/3'> <8'> <4'> <2 2/3'> <2'> <1 3/5'> <1 1/3'> <1'>
#
# There is one entry per note from 0 to 60 for a C to C keyboard. Values outside
# this range are undefined.
#
# The default taper table is:
#
# resistors: 100 50 34 24 15 10
# resistors: 0.4 0.6 0.8 1.0 1.2 1.4 // resulting gain level.
#
# taper: * 0.4 0.8 0.6 0.8 1.4 1.4 1.2 1.0 1.0
#
# With the values given above the below three lines are ~equivalent, they use
# R value with an index into the resistor array (value must be less than array
# size), the actual resistor values as defined by Hammond, or any other value
# greater than 6, or a literal value for the gain:
#
# taper: 0 R0 R2 R1 R2 R5 R5 R4 R3 R3
# taper: 0 R100 R34 R50 R34 R10 R10 R15 R24 R24
# taper: 0 R101 R31 R51 R33 R11 R10 R15 R25 R24 // slightly off
# taper: 0 0.4 0.8 0.6 0.8 1.4 1.4 1.2 1.0 1.0
#
resistors: 0 0.4
resistors: 5 1.4
taper: 0 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 1 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 2 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 3 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 4 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 5 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 6 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 7 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 8 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 9 R0 R2 R1 R2 R5 R5 R4 R3 R3
taper: 10 R1 R2 R1 R2 R5 R5 R4 R3 R3
taper: 11 R1 R2 R1 R2 R5 R4 R4 R3 R3
taper: 12 R1 R2 R1 R2 R4 R4 R4 R3 R3
taper: 13 R1 R2 R1 R3 R4 R4 R4 R3 R3
taper: 14 R1 R3 R1 R3 R4 R4 R4 R3 R3
taper: 15 R1 R3 R2 R3 R4 R4 R4 R3 R3
taper: 16 R2 R3 R2 R3 R4 R4 R4 R3 R3
taper: 17 R2 R3 R2 R3 R4 R4 R4 R3 R3
taper: 18 R2 R3 R2 R3 R4 R4 R3 R3 R3
taper: 19 R2 R3 R2 R3 R4 R4 R3 R3 R3
taper: 20 R2 R3 R2 R3 R3 R3 R3 R3 R3
taper: 21 R2 R3 R2 R3 R3 R3 R3 R3 R3
taper: 22 R2 R3 R2 R3 R3 R3 R3 R3 R3
taper: 23 R2 R3 R3 R3 R3 R3 R3 R3 R3
taper: 24 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 25 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 26 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 27 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 28 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 29 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 30 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 31 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 32 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 33 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 34 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 35 R3 R3 R3 R3 R3 R3 R3 R3 R3
taper: 36 R4 R3 R3 R3 R3 R3 R3 R3 R3
taper: 37 R4 R3 R4 R3 R3 R3 R3 R3 R3
taper: 38 R4 R4 R4 R3 R3 R3 R3 R3 R3
taper: 39 R4 R4 R4 R2 R3 R3 R3 R3 R3
taper: 40 R4 R4 R4 R2 R2 R3 R3 R3 R3
taper: 41 R4 R4 R4 R2 R2 R2 R3 R3 R3
taper: 42 R4 R4 R4 R2 R2 R2 R2 R3 R3
taper: 43 R4 R4 R4 R2 R2 R2 R2 R2 R1
taper: 44 R4 R4 R4 R2 R2 R2 R2 R2 R1
taper: 45 R4 R4 R4 R2 R2 R2 R2 R2 R1
taper: 46 R4 R4 R4 R2 R2 R2 R2 R2 R1
taper: 47 R4 R4 R4 R2 R2 R2 R2 R2 R1
taper: 48 R5 R4 R4 R2 R2 R2 R2 R1 R1
taper: 49 R5 R4 R5 R2 R2 R2 R2 R1 R1
taper: 50 R5 R5 R5 R2 R2 R2 R2 R1 R1
taper: 51 R5 R5 R5 R2 R2 R2 R1 R1 R1
taper: 52 R5 R5 R5 R2 R1 R2 R1 R1 R1
taper: 53 R5 R5 R5 R2 R1 R2 R1 R1 R1
taper: 54 R5 R5 R5 R2 R1 R2 R1 R1 R1
taper: 55 R5 R5 R5 R2 R1 R1 R1 R1 R1
taper: 56 R5 R5 R5 R2 R1 R1 R1 R1 R1
taper: 57 R5 R5 R5 R2 R1 R1 R1 R1 R1
taper: 58 R5 R5 R5 R2 R1 R1 R1 R1 R1
taper: 59 R5 R5 R5 R2 R1 R1 R1 R1 R1
taper: 60 R5 R5 R5 R2 R1 R1 R1 R1 R1
#
# KeyClick section. The preacher has its own keyclick emulation. Each key has
# 9 contacts, one for each drawbar bus, and each will make a contact at a
# slightly different time due to wear and creep of the contacts. This is
# emulated with a millisecond offset timer from the note_on event such that
# each bus has its own delay before two things happen:
#
# 1: contact is made and the tonewheel finally passes to the output.
# 2: click is generated at a specified level.
#
# The gain levels apply to the noise level from that single contact, they may
# be different but always apply to the same offset timer. The timers are fixed,
# however there is no link between the offset and the drawbar, they are
# mildly randomised, partly by index selection but also by key velocity - these
# are the maximum offsets, when a key is hit faster then it moves faster and
# the contact delays compress, as with the original instrument (almost - if
# you want to know the differences then mail me).
#
# Gains can be inverted on selection, and the pulse from each contact can be
# controlled from a limited selection.
#
# There are currently 6 waveforms: 0 to 2 are sines of different frequencies,
# 3 is a pulse wave edged with noise, 4 and 5 are ramped waves with different
# attack and decay characteristics.
#
# The overall level of keyclick also has a control in the GUI. All these values
# use the drawbar number as index.
#
# There is currently no NoteOff grooming (0.10.2).
#
BusDelayNormal: 0 0.001
BusDelayNormal: 8 80
BusDelayBright: 0 0.001
BusDelayBright: 1 100.0
BusDelayBright: 2 77.0
BusDelayBright: 3 3.0
BusDelayBright: 4 4.0 - These are the percussive busses and do not carry click
BusDelayBright: 5 0.2 - also responds better with a short delay.
BusDelayBright: 6 30
BusDelayBright: 7 70
BusDelayBright: 8 100
# Click gain levels by bus.
ClickNormal: 0 1.0
ClickNormal: 8 0.5
ClickBright: 0 2.0
ClickBright: 1 1.0
ClickBright: 2 0.01
ClickBright: 3 0.8
ClickBright: 4 0.001
ClickBright: 5 0.001
ClickBright: 6 0.5
ClickBright: 7 1.0
ClickBright: 8 1.8
ClickPulseNormal: 0 0.001
ClickPulseNormal: 0 1.0
ClickPulseNormal: 0 2.0
ClickPulseNormal: 8 3
ClickPulseBright: 0 3
ClickPulseBright: 8 0.001
ClickInvertNormal: 0 0.01
ClickInvertNormal: 1 1
ClickInvertNormal: 2 0.01
ClickInvertNormal: 3 1
ClickInvertNormal: 4 0.01
ClickInvertNormal: 5 1
ClickInvertNormal: 6 0.01
ClickInvertNormal: 7 1
ClickInvertNormal: 8 0.01
ClickInvertBright: 0 1
ClickInvertBright: 1 0.01
ClickInvertBright: 2 1
ClickInvertBright: 3 0.01
ClickInvertBright: 4 1
ClickInvertBright: 5 0.01
ClickInvertBright: 6 1
ClickInvertBright: 7 0.01
ClickInvertBright: 8 1